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我常和朋友讲,我喜欢书,“大部头”的也收了不少,但我实际上并不是十分喜欢,我所偏爱的大都是一些“小册子”。比如:维特根斯坦的《文化与价值》,罗兰·巴尔特的《符号学原理》,毛姆的《在中国屏风上》和《书与你》,哈罗德·布鲁姆的《影响的焦虑:一种诗歌理论》,露丝·本尼迪克特的《菊花与刀》以及奥修的《生命、爱与欢笑》等等,这些书都不厚,是以我把它们当小册子看;当然在我的概念中,所谓小者,也包含了虽然不算太薄、但是窄32开本的一些小说和诗集。小说有戴维·洛奇的《小世界》,冯纳格特的《囚鸟》,雷蒙德·卡佛的《你在圣·弗兰西斯科做什么》,本哈德·施林克的《生死朗读》,大冈升平的《武藏野夫人》等,诗集则更多一些,而《索德格朗诗选》(外国文学1987年10月版),当是其中之一。
I often talk to my friends. I like books, but I do not really like them. Most of my favorite books are some brochures. Such as Wittgenstein’s “Culture and Value,” Roland Barthes’s “Principles of Semiology,” Maugham’s “On the China Screen” and “The Book and You,” Harold Bloom’s “ Anxiety: A Theory of Poetry, Ruth Benedict’s Chrysanthemums and Knives, and Osho’s Life, Love and Laughter, etc., are not thick books, so I treat them as brochures Of course, in my concept, the so-called lesser contains some novels and poems that are not too thin, but not too thin. The novel includes David Lodge’s The Little World, Vonnegut’s Prisoners, Raymond Carver’s What Do You Do in San Francisco, Poetry Collection is more of a ”poetry anthology“ and ”Poetry Selection of Sodergrand" (Foreign Literature, October 1987 edition) is one of them.