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西方作曲技术的多声音乐结构是建立在和声、复调技术体系之上的,如何将西方技术原则作为载体加以灵活运用,用来承栽以单音线性音乐为特征的中国传统音乐独特思维方式,承栽中国作曲家对本民族传统音乐元素的重新解析与诠释,升华与感悟?越来越多的作曲家以独特的个性化表达方式,在多声结合的技术上做出“中国化”的线性处理。本文将通过一些具有代表性的,以不同创作视角与审美取向、不同个性化的合唱作品进行技术分析,并从微观与宏观的角度进行梳理与归纳。
The multi-sound structure of western composer technique is based on the harmony and polyphony technology system. How to use the western technical principles as a carrier to flexibly apply the unique thinking of Chinese traditional music characterized by mono-linear music Way, bearing Chinese composers of the national traditional music elements of the re-analysis and interpretation, sublimation and sentiment? More and more composers with a unique way of personal expression, multi-sound combination of technology to make "Linear processing. This article will carry on the technical analysis through some representative chorus works with different creative perspectives and aesthetic orientations and different personalities, and sort out and summarize them from the micro and macro perspectives.