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我国艺术品拍卖活动伴随着民间收藏热的发展正在持续增温。自1991年至今,经营艺术品拍卖的企业从几家发展到70余家,还有数十家在申报待批中;艺术品拍卖年成交额从几百万元增至数亿元;形成了一阵阵艺术品拍卖热潮。但是,不少行内人冷静地认识到,我国的艺术品拍卖业还仅仅处于奠基阶段,只是开始走向成熟,而不是已经成熟,与国际同行业发展水平相比,我们还有很大差距。 某些行外人以为,艺术品拍卖业是个绝对赢利、且较容易经营的商业项目,实际则不然。仅据初步了解,我国现有的70余家拍卖企业,经营好的,绝对赢利的不过占总数的三分之一;有些成立较早的拍卖企业,已承受不住失败的打击,退下阵来;有的甚至已把初期投入的资金赔得差不多了,濒临破产转业的边缘。即使那些搞得比较好的企业,也已累得精疲力竭。例如北京’95秋季拍卖会同
The auction of art in China is accompanied by the development of folk collection heat is continuing warming. Since 1991, there have been more than 70 enterprises operating the art auction business and dozens of them are still pending the application; the annual turnover of the art auction has increased from several million to several hundred million yuan; A burst of artwork auction boom. However, many insiders calmly realize that the art auction industry in our country is only at the foundation stage. It is only beginning to mature instead of being mature, and we still have a long way to go compared with the international industry. Some outsiders think that the art auction industry is an absolutely profitable and relatively easy-to-run business project, but it is not. It is only initially understood that there are over 70 auction enterprises in China that operate well and make absolutely no more than one-third of the total profits. Some earlier-stage auction enterprises have been able to withstand the blows and the rejections of the failure. Some have even lost the initial investment funds almost the brink of bankruptcy on the brink of bankruptcy. Even those who do better business, but also tired exhausted. For example, Beijing ’95 autumn auction with