现代音乐美学研究为音乐艺术的全面发展提供了全方位及更新的视角和方法,而以现代音乐美学视角全新解读作品也必定可以不断丰富理论内容及其构建。本文以钢琴组曲《青藏高原》为分析对象,运用音乐美学理论中的相关理念,从乐曲的“形”、“声”和“情”的角度来解读乐曲,分析曲作者的创作思路和方法,并品味乐曲中独特的自然风光和厚重的人文情感关怀。 The study of modern music aesthetics provides all-round and updated perspectives and methods for the all-round development of music art. However, the new interpretation of works from the perspective of modern music aesthetics can certainly enrich the theoretical content and its construction. Taking the piano composition “Qinghai-Tibet Plateau” as the analysis object, this article uses the related concepts of music aesthetics theory to interpret the music from the angles of “shape ”, “sound ” and "emotion Creative ideas and methods, and taste the unique natural scenery and heavy humane care.