艺术批评中常有一种奇怪现象,面对一件艺术作品,往往难以在同一领域中找到恰当的评语,然而隔山却有知音,在相邻的领域中可能掂出更能说明问题的参照对象。唐张怀瓘在《书议》中评“小王”王献之书法时曰:“子敬之法,非草非行,流便于行草,又处于其中间,无籍因 There is often a weird phenomenon in the art criticism. It is often difficult to find proper reviews in the same field in the face of a piece of art. However, there are well-known voices in the mountains, and reference objects that better explain the problem may be drawn out in adjacent fields. Tang Zhang Huai in the ”Book Review“ in the evaluation of ”Wang“ Wang Xianzhi calligraphy said: ”respect for the law, non-grass non-line, flow in the grass, but also in the middle, no reason