差不多是紧接着日尔曼帝国的衰落,1919年春,刚成立的共和国委任建筑师瓦尔特·格罗皮斯在魏玛建立包浩斯学院,又叫国立建筑大楼,意思是要将建筑,艺术与工艺的教学揉合在一起。在这学院里康定斯基找到了一个差不多是为他而设的位置,因为教学是基于综合造型艺术对理论与实践两方面的要求之上的。这一主张并不是新的,但在此之前许多同样的尝试都失败了。在十九世纪下半叶,这些运动受了社会美学的激励, Almost immediately followed by the decline of the Germanic Empire, the spring of 1919, the newly appointed Republic appointed architect Walter Gropes founded Bauhaus in Weimar, also known as the National Building, meaning building, art Process and teaching together. In this college Kandinsky found a position that was almost for him, because teaching was based on the theoretical and practical requirements of synthetical art. This proposition is not new, but many of the same attempts have failed before that. In the second half of the nineteenth century, these movements were inspired by social aesthetics,