“你和太阳一起到达/夏至的清晨/马尔康早早醒来/夜雨催欢了梭磨河/在熹微中抛尽眼波/碉楼低垂长影的睫毛/回味昨夜湿漉的梦/梭磨河沿着峡谷一路奔跑/在阿底追上新架的桥/晨光中的马尔康/挽着河床自在地伸展腰身/婀娜却不妩媚/目光伸得越来越远/山与山靠得越来越近/夏风抚摸古碉的疼痛/经典的红黄蓝/沉淀在嘉绒人的血脉中/蓝天下白塔托起千年凝重/马尔康从来不躲避欢乐/在河与山的背景上/祈福的三原色已经调匀/一笔抹在眼中/一笔写在心田”(《六月的马尔康》)。海德格尔说:“每个伟大的诗人作诗都出自于唯一的一首诗,衡量其伟大的标准在于,这位诗人对这首诗是否足够信赖,以至于他能将他的诗意纯粹保持在这首诗的范围内”。这是我读《康若文琴的诗》的时候,海德格尔这几句话在脑海不断闪现。当然,文琴目前并不是伟大的诗 “You arrive with the sun / early morning of the summer solstice / Malcolm wake up early / rainy night reminiscent of the Fuso River / eyebrows in the Xiwei / eyelashes hanging low profile long shadow / aftertaste Last night wet dream / shuttle mill River running along the canyon / Adi chase the new bridge / Marcon in the morning light / Stretch the riverbed free stretch waist / graceful but not charming / eyes stretched further and further / mountain and mountain by the more and more Near / summer wind touch the pain of ancient towers / classic red yellow blue / sediment in the blood of Jiarong people / under the blue sky White Tower hold thousand years condensate / Malkon never escape the joy / on the river and mountain background / blessing The three primary colors have been evenly mixed / a wipe in the eyes / a written in the heart field ”(“ Marcon ”in June). Heidegger said: “Every great poet poem comes from the only poem, the measure of its great standard is that the poet is reliable enough on this poem, so that he can be his poetic purity Stay within the scope of this poem. ” This is when I read “Kang Ju poem”, Heidegge few words in my mind constantly flashed. Of course, Wen Qin is not a great poem at the moment