Hiroshi Nakao中尾宽 1961年出生于日本兵库县,1981-1985年在京都工业大学学习居住环境设计,1989年在筑波大学艺术研究系攻读综合造型时中途休学,从此开始了他设计和探索的历程。 也许是受益于喜自省和冥想的民族特性,从对空间进行的深层次的思辩中获得新的认知,并将其融入自己的设计,是很多日本建筑师的特点。而这其中,中尾宽衷情于探索内部空间和外部空间概念上的边界。 中尾宽发现:室内空间在很大程度上可以认为是十九世纪的“发明”。在此之前（除了万神庙与哥特教堂之外）,建筑多注重于定义外部的城市空间。随着对于私人的个性越来越关注,建筑营造的重点从公共领域转而指向建筑室内空间,而它事实上已成为现代性的中心内容。但是随着现代世界过分私人化,以至产生了内部空间侵蚀掉所有空间的趋势。中尾宽认为:“社会已成为一个巨大的室内空间,其中的每个人都被迫过分投入社交。建 Hiroshi Nakao Nakao Hirotaka was born in Hyogo, Japan in 1961 and studied living environment design at Kyoto University of Technology from 1981 to 1985. From 1989, he dropped out of school while studying integrated modeling at the Department of Art Studies, University of Tsukuba, and began his career in design and exploration . Perhaps thanks to the ethnic identity of self-esteem and meditation, it is characteristic of many Japanese architects to gain new insights from deep-seated pondering over space and incorporate them into their own designs. Of these, Nakao has a great interest in exploring the conceptual boundaries of interior and exterior spaces. Nakao found wide: Interior space can be considered to a large extent the “invention” of the nineteenth century. Prior to this (except for the Pantheon and the Gothic Church), buildings were more focused on defining external urban spaces. As more and more attention is paid to the personality of the individual, the focus of the building has shifted from the public sphere to the interior of the building, which in fact has become central to modernity. However, as the modern world becomes overly privatized, there is a tendency that interior space will erode all its space. Nakao Kaho thinks: "Society has become a huge interior space where everyone is forced to devote too much to socializing.