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我钟爱版画艺术,特别钟爱版画之中的木刻,这其中包括黑白以及套色木刻,在这方面我非常同意李允经先生对版画的看法:黑白是人类最早找到的木刻艺术语言。它要求艺术家学会以黑白的慧眼观察色彩缤纷的客观世界,掌握将万物色相高度概括为深色系统和浅色系统并加以造型、刻作和拓印的艺术规律。出于艺术发展的需要,在黑白两极之间加入若干色彩鲜明而且富于一定概括力的色块,以丰富艺术表现的手段,便出现了套色木刻……黑白木刻是套色木刻的基础,套色木刻最基本的色调处理规律来自黑白。鲁迅先生在三十年代就倡导中国的新兴木刻运动,并鼓励支持青年木
I love printmaking art, and I am particularly fond of woodcuts in printmaking. Among them are black and white and colorized woodcuts. In this respect, I very much agree with Mr. Li Yunjing’s view on printmaking: black and white is the earliest woodcut art language that mankind found. It requires artists to learn to observe a colorful and objective world with black and white eyesight and to master the art of shaping and carving and coloring all things hue as a dark system and a light-colored system. For artistic development needs, in the black and white between the addition of a number of colorful and full of certain sum of color to enrich the means of artistic expression, there has been a chromatic woodcut ... black and white woodcut is the basis of color woodcut, color woodcut The basic tone of the law from black and white. Mr. Lu Xun advocated the emerging woodcut movement of China in the 1930s and encouraged the support of young wood