近些年,我在深入各地古村落进行文化遗产普查时,常常碰到一种令人忧虑的现象,就是那些古老的建筑一幢幢有模有样地立在那里,但建筑里边已经看不到任何历史文化的内涵了,一些非物质文化遗产也支离破碎。那些唱傩戏的面具、印年画的版刻、演影戏的皮影人,甚至连寺庙和戏台柱子下边雕花的石墩,全都是为了应付游人而找人新弄的。这些古村落除了建筑,已经看不到任何历史的记忆与见证,它们都跑到哪里去了呢?去北京的潘家园、天津的沈阳道、上海的城隍庙、太原的南宫、成都的送仙桥以及遍布全国各地的大大 In recent years, when I conducted in-depth surveys of cultural heritages in ancient villages all over the country, I often encountered a disturbing phenomenon, that is, those old buildings were scattered and stood there, but they could not be seen inside the buildings Any historical and cultural connotation, some of the intangible cultural heritage also fragmented. The masks that sang opera, lithographs of Indian New Year paintings, shadow puppets of theatrical performances, and even carved stone piers below the temples and pillars of the stage were all sought after by tourists. In addition to the ancient buildings in these ancient villages have not seen any historical memories and testimony, where are they gone? Panjiayuan in Beijing, Tianjin, Shenyang Road, Shanghai's Temple God, Palace of Taiyuan, Chengdu Xiannianqiao And all over the country greatly