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新时期以来,中国农民主要以两种面目出现在电视荧屏上:一是大量农村题材电视剧中的普通农民形象,如《刘老根》中以刘老根为代表的龙泉山庄的父老乡亲,《乡村爱情》里以王长贵、谢广坤、刘能等为典型的象牙山村民,《当家的女人》中张菊香及其家人,《喜耕田的故事》中的喜耕田等;一种是上世纪90年代以来兴起的民工题材电视剧中的农民工形象,如《马大帅》中的马大帅,《城市的星空》中的远子兄弟及《民工》《生存之民工》等作品中的农
Since the beginning of the new era, Chinese peasants have appeared on television screens in two main ways: First, the image of ordinary peasants in a large number of rural-based TV dramas such as the “Lao Quan Xiang” in Longquan Villa represented by Liu Laogen in “Liu Laogen” With Wang Changgui, Xie Guangkun and Liu Neng as the typical villagers of Ivory Shan, Zhang Juxiang and his family in “The Woman in Home” and Xigeng Tian in “The Story of Xigengtian”, etc., one is the rise since the 1990s Migrant workers in the TV series of migrant workers, such as Ma Dasai in “Ma Dasai”, Far Son Brothers in “Urban Starry Sky” and “Migrant Workers” and “Migrant Workers for Survival”