“铸鼎象物”是史前时期中华民族政治宗教观念和审美观念的总结:“在德不在鼎”的观点,反映了史前至战国时期神人关系的变动轨迹;“远方图物”、“铸鼎象物”和“百物而为之备”等,是“物谓鬼神”思想观念的集中体现,反映了铸鼎象物说以原始神话和巫术为基础的思想背景;“禹铸九鼎”是铸鼎象物说提出的神话学背景,这一事件有着极为复杂的社会历史原因,既是史前人类艺术审美观念的集中体现,也在某种程度上影响了中国神话的传承方式。 “Casting the Tripod Image” is a summary of the political and religious concepts and aesthetic concepts of the Chinese nation during the prehistoric period: “In Germany is not in Ding ” point of view, reflecting the trajectory of the relationship between God and human beings from prehistoric to Warring States Period; It is a concentrated embodiment of the notion of “god of ghosts and gods”, which reflects that the image of the god of castration is based on primitive myths and Wushu-based ideological background; “Yu cast Jiuding” is the mythological background proposed by the emperor of castration, this incident has a very complex social and historical reasons, both as a concentrated expression of prehistoric human art aesthetic concept, but also To some extent, influenced the way of Chinese mythology.