《庐山恋》的艺术想象建构了20世纪80年代的意识形态。电影中的“女追男”恋爱模式、“和平建设”爱国理想、“有情人终成眷属”的故事结局,很好地释放了执政党从“文革”转向“改革”过程的执政能力焦虑。在这部影片当中,“改革开放”没有被当成政治经济危局的无奈之举,而是被描述为顺应世界和平建设潮流主动发起的伟大事业。 The artistic imagination of “Lushan Love” constructed the ideology of the 1980s. In the film, the ending of the story of “female chasing man”, “peace building”, “patriotic ideal” and “lover getting married” have well released the ruling party’s shift from “Cultural Revolution The power of ”reform“ is anxious. In this film, ”reform and opening up" has not been seen as a helpless move in the political and economic crisis. Instead, it has been described as a great undertaking initiated in response to the trend of world peacebuilding.