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三十种元刊本杂剧的发现尚未得到充分重视,王国维称元杂剧作品“与世界大悲剧并列而无愧”的断语并非仅就曲文语言的价值而言,它的思想内涵和戏剧内在结构,其伟大程度,远远超出一般理解。本论文结合汉学家伊维德对元、明本的比较及发现,以《赵氏孤儿》为例,从版本和表演两个角度出发,力图分析改写前后文本之间的思想内涵及戏剧内部张力的差异及其对当下戏剧发展的一些启示。
The discoveries of thirty kinds of Yuanzao novels have not been fully taken seriously. Wang Guowei claimed that the poetic works of Yuan ’s drama “not being conspicuous with the world ’ s great tragedy ” is not only the value of the language of the verse, but also its ideological connotation and inner drama Structure, its greatness, far beyond the general understanding. Based on the comparison and discovery of scholar Yiweide and Yuan Ming and Ming dynasty, this paper takes “Orphan of Zhao” as an example, tries to analyze the connotation and the internal tension of the text before and after the rewriting Differences and Some Enlightenment on the Present Drama Development.