李锐的《太平风物》的形式特征是文本拼贴。作者用这种形式展开了一幅幅当代的农村生活画卷。在古代乡村诗意生活的想象中,对照出当今农村的非诗意状态。其实,这样的非诗意状况已经经历了上百年,自从现代的来临,农村就开始告别诗意,作家们就开始表达对诗神远遁的伤感了。 Li Rui’s “Taiping Style” is characterized by text collage. In this form, the author unfolds a picture of contemporary rural life. In the imagination of the poetic life of the ancient villages, the non-poetic state of today’s rural areas is contrasted. In fact, this non-poetic situation has gone through hundreds of years. Since the advent of modernity, the rural areas began to bid farewell to poetry, and writers began to express their sorrow over the poet God.