近二三年,我国话剧在经历着十年来不曾有过的困境。这种景象越来越引起戏剧界许多人的焦虑。近来有人说,话剧开始走出低谷,依我看,就全国来说,话剧仍处在困境之中。至于北京、上海、黑龙江等地情况稍好,并不能说明话剧全面转机。我国话剧为什么步入这种境地,它的出路何在?当前外国戏剧是否存在与我国戏剧相似的问题,外国戏剧发展趋势怎样?这些都是人们关注的焦点。我想从中西戏剧现状比较的角度谈一些个人看法。一 In the past two or three years, our drama has undergone a dilemma that has never existed in a decade. This scene is increasingly causing the anxiety of many in the theater industry. Some people have recently said that drama started to fall out of the trough. From a national perspective, drama is still in a dilemma. As for Beijing, Shanghai, Heilongjiang and other places slightly better situation, and can not explain the drama turned round. Why does our drama enter this kind of situation, what is the way out for it? Is there any similar problem with the drama in our country nowadays? What are the trends of the foreign drama development? These are the focus of people’s attention. I would like to talk about some personal opinions from the perspective of comparing the present situation of Chinese and western drama. one