论文部分内容阅读
本文通过对二胡和钢琴两种不同乐器演奏传统乐曲《二泉映月》的对比,借用“音腔论”的体系,探讨中国传统音乐风格的表现的共性以及西洋乐器如何更好地演绎中国民间器乐改编曲。
This article compares the performance of traditional Chinese musical style “Er Quan Ying Yue” with two different musical instruments of erhu and piano and borrows the system of “sound cavity theory” to explore the commonness of Chinese traditional music style and how to interpret the western musical instrument better Chinese folk music adaptation song.