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宫女是皇权社会中一个奇特的现象。作为社会架构中命运最悲惨者,宫女在宫中地位最为低下,其身份与奴隶无异。她们虽然衣食无忧,但终日劳碌,不得与亲人、与外边的世界沟通,更没有机会得到爱情,只是耗费青春,精神生活极为苦闷。因此,宫女题材在唐诗中占有一定比例,内容多是同情她们的处境,揭露和批判社会和皇廷黑暗,其意义和影响远远超越了高大的宫墙禁柳。
Palace girl is a peculiar phenomenon in imperial society. As the most miserable fate in the social fabric, the ladies have the lowest status in the palace and their identities are no different from slaves. Although they are well-fed, they work hard all day long, and can not communicate with their loved ones and the outside world. They even have no chance of getting love. They only spend their youth and their spiritual life is extremely depressing. Therefore, the theme of the palace women occupies a certain proportion in the Tang poetry, the content is more sympathetic to their situation, exposing and criticizing the darkness of the society and imperial court, its meaning and influence far beyond the tall wall banning Liu.