我第一次见到陈连富的雕塑,并不是原件,而是一份印刷精美的画册,许多作品的局部在迷离的光影映照之下,空灵如梦,温柔如春。及至看到他的作品,又再次沉浸在他的艺术创造之中。柔美、圆润、婉转,他把人体讲述成了一个超凡脱尘的“童话”。这是一个当代艺术家对古典艺术所特有的“高贵”与“静穆”的一种创造性再现。他的作品含有东方的古典审美惯性,亦兼容了西方古典主义对于女性的赞美。二者最大的共性,即是纯真,没有杂质。我在他的雕塑中看不到时间留下的任何烦乱,他将青春的纯美、安静都琢磨在了那一块块也无杂质的纯石之中,这也体现着他的心性。他崇尚青春,因为青春是永恒的美,而对于永恒的追求,恰如一种信仰,需 The first time I saw Chen Lian-fu’s sculpture, it was not an original, but an exquisitely printed book. Part of many works were blurred and shadowy. To see his work, once again immersed in his artistic creation. Soft, round, gentle, he described the human body became a extraordinary dust “fairy ”. This is a creative reproduction of contemporary art’s “noble” and “static” features unique to classical art. His works contain oriental classical aesthetic inertia, also compatible with Western classical praise for women. The two most common, that is innocent, no impurities. I can not see any annoyance left in his sculptures. He pondered the purity and quietness of youth in the pure stone without any impurity, which also reflected his demeanor. He advocates youth, because youth is the eternal beauty, and for the eternal pursuit, just as a kind of faith, need