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战争题材电视剧喜剧化的倾向不仅是当下的一种现象,早在1992年拍摄的《三毛从军记》里就已见端倪。喜剧性的战争题材电视剧的生成固然要有故事情节,要有矛盾冲突,但戏的核心还在于“人”[1]。而且,只有剧中的“人”使战争题材电视剧上升到喜剧性格的高度,才算得上是成熟的喜剧。换句话说,“人”在战争题材电视剧的喜剧化过程中,实在是起到了举足轻重的作用。关于此点,我们不妨从剧中人物的扮相、人物的语言以及人物的设置等方面来具体认识这种效果。
The tendency of the comedy of the war theme TV series is not only a current phenomenon, but it has already begun to appear in the book “San Mao From the Army” recorded in 1992. The comedy of the war theme Although the formation of the TV series to have the story, there must be conflicts and conflicts, but the core of the play lies in “people ” [1]. Moreover, only in the play “people ” war drama television drama up to the comic character height, can be regarded as a mature comedy. In other words, “Man ” really played a decisive role in the comic drama of the war theme. On this point, we may wish to specifically understand this effect from the characters in the play, the language of the characters and the character settings.