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文化部戏曲編剧讲习会于今年三月一日在北京开学,七月九日結业。参加学习的学員共四十四人,都是来自全国各省、市、自治区从事戏曲剧目整理改編創作多年的专业作者。学习历时四个多月,共分三个单元进行。第一个单元內容是研究戏曲中封建道德問題和鬼怪戏問題,探討传統剧目如何进一步貫彻百花齐放、推陈出新的方針;第二个单元以历史題材創作为主,着重討論时代精神和古为今用等問题;第三个单元以現代题材創作为主,討論深入生活和現代題材戏曲創作問题。学习开始,正逢中国文联第三届全委扩大第二次会議,学員們学习了周总理和周揚同志的报告,以及会議的其他有关
The drama screenwriting workshop of the Ministry of Culture started in Beijing on March 1 this year and was concluded on July 9. A total of 44 students participated in the study, all from the provinces, municipalities and autonomous regions in the drama repertoire adapted years of writing author. Learning lasted more than four months, is divided into three units. The first unit is to study the feudal ethical issues and ghost drama issues in the opera, and to explore how the traditional repertoire can further implement the policy of letting a hundred flowers blossom and make innovations. The second unit focuses on historical themes and focuses on issues such as the spirit of the times and the past and present. ; The third unit to create a modern theme-based, to discuss in-depth life and modern themes drama creation issues. The beginning of the study coincided with the second meeting of the third session of the China Federation of Cultural Education to expand the second session, trainees learned Comrade Zhou and Premier Zhou Yang’s report, as well as other relevant meeting