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陈自仁的现实主义作品《白乌鸦》选取“涎水沟”这样一个类似于“世外桃源”的地方作为故事叙述的地点,同时将“白乌鸦”、“逃难者”、“麻风人”此三者“弱势群体”对象作为叙述的主角,让作为读者的我们在感受到来自于苦难的切肤疼痛时,也感受到来自于作者内心深处对小说人物所充满着的爱和悲悯的思想。本文从“白乌鸦”的象征意义入手,然后从涎水沟对逃难者的收留、麻风人对红绸及其孩子的收留以及费仁在红绸坟前的长跪和逃离几方面对作品作出了分析和解读,最后表达了自己的观点和看法。
Chen Ziren’s realistic work “White Crow” chooses a place like “Saltwater Gully” similar to “Xanadu ” as the narrative location of the story, at the same time, “White Raven”, “ As the protagonist of the narrative, the ”leper“, ”the three“ and the ”disadvantaged groups“ are the main characters of the narrative. When we feel the pain of suffering from suffering, we also feel that from the author’s heart, Full of love and sympathy thoughts. This article starts with the symbolic meaning of ”white crow", then collects the refugees from the saltwater ditch, the levitation by the leper on the red silk and its children, and the kneeling and fleeing of Fei Ren in front of the red silk grave Made an analysis and interpretation, and finally expressed their own views and opinions.