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在自然界,为诗人吟咏最多、为画家描绘最频的题材,恐怕无过于“花”了。西洋的静物画,常以花作主角;中国的花鸟画,更是以花为主题。而在长于画花的画家中,又尤以女性为最。女人与花,似有一种天生的不解之缘;在美的形态上,她们与它们确有许多相近与相似。或许正是这个原因,她们才把花当作“移情”的对象,或把画花看作是一种“自我关照”的方式,或把花看作是一种感情的自我投射,或从花中感悟到一种青春的美与生命的活力内涵。
In nature, most of the poets chant, depicting the most frequent subjects for the artist, I am afraid there is no “flower” of the. Western still life, often with flowers as the protagonist; Chinese flowers and birds painting, but also the theme of flowers. In the longer than the artist who painted flowers, especially women as the most. There seems to be a natural indissoluble bond between women and flowers; in the form of beauty, they have many similarities and similarities with them. Perhaps it is for this reason that they regard the flower as the object of “empathy,” or the painting as a “self-care” approach, or as a kind of emotional self-projection, or from Flower in the sentiment of a youthful beauty and vitality of life.