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我出生于梨园世家,从9岁随母学艺至今已有五十多个春秋。如果说省扬剧团是我学习的起点,省戏校就是我学习的摇篮。正是因为省戏校五年正规训练的坚实基础,让我对戏曲有了更深厚的感情,并且认定戏曲艺术、扬剧事业是我毕生的追求。16年的舞台演出,不同的角色,让我对扬剧有了更深刻的了解。在三十余年的教戏过程中,扬剧版《打神告庙》占了很重要的位置。为了做好教学示范,我不停地研究、不停地训练,大部分心血都倾注在研究《打神告庙》这折戏上,自己虽然没能够在舞台上表演《打神告庙》,但可以告慰自己的是《打神告庙》已被一届届扬剧学生在舞台上演出展示,并得到戏剧专家和广大观众的认可和赞扬。现在《打神告庙》已成为扬州文化艺术学校的保留教学剧目之一。我从学戏、演戏到教戏五十余年,倾注了对戏曲艺术的毕生之恋。
I was born in Liyuan family, from the 9-year-old mother study has been more than fifty spring and autumn. If the provincial Yang Theater is the starting point of my study, the provincial school is the cradle of my learning. It is precisely because of the provincial school five years of formal training of solid foundation, let me have a more profound feelings of the opera, and that opera art, Yang drama is my lifelong pursuit. 16 years of stage performance, different roles, let me have a better understanding of the play. In more than thirty years of teaching and learning process, Yang drama version of “God Temple” accounted for a very important position. In order to do a good job of teaching and demonstrating, I kept studying and kept training. Most of my efforts were devoted to the study of “playing the temple”. Although I was not able to perform the “Temple of God” on the stage, But you can comfort yourself is “God Temple” has been a session of the students in the stage performance on stage, and the theater experts and the general audience recognition and praise. Now “God Temple” has become one of the reserved teaching repertoire of Yangzhou Culture and Arts School. I learned from acting, acting to teaching more than 50 years, devoted a life of love for opera art.