电影作品在刻画很多男性角色的时候.都会从人性的方方面面去挖掘,力求创造出一个立体的多棱人物,但对女性角色就不同,银幕上的女性角色往往非好即坏,而《女魔头》却出人意外的相当成功地展示了这个几近疯狂的复杂女性在最后的日子里所有的喜悦、悲哀、希望与绝望,直至把自己一步步推向罪恶的深渊。当“女魔头”艾琳第一次出现在镜头上时,效果是令人震惊的:灰色的天空下,一张没有眉毛的脸上布满了红色、褐色的小斑点,粘湿的头发打着缕儿,鼻子尖挂着一滴不知是泪水还是雨水的水珠,手里拿着一把枪……动荡的镜头、混乱的公路,嘈杂声与灰暗的画面 While depicting a lot of male characters, the film works will dig out from all aspects of human nature and strive to create a three-dimensional polygamy character. However, for female characters, the female characters on the screen are often not good or bad, Head “unexpectedly succeeded in demonstrating all the joy, sorrow, hope and despair of this almost crazy and complex woman in the final days until she was pushed step by step toward the abyss of evil. The effect was astounding when ”The Monster" Irene first appeared on the camera: under the gray sky, an eyebrow-free face was covered with red, brownish spots, sticky hair The name of the thread, the tip of the nose hanging a drop of tears I do not know is the tears or rain water, a gun in his hand ... turbulent lens, chaotic highway, noisy and dark picture