我曾听朋友说,现代人写古装戏,千万要避开宏大的主题,这部《大明宫赋》瞄准的是传统的情爱故事。当然,所以想起写《大明宫赋》,完全是一个被动。那年,大明宫遗址保护区的同志邀我写一部以唐代大明宫为背景的歌剧,声言好多专家和领导都有这个建议,总之是想通过一部舞台剧来吸引游客,关注大明宫项目的开发,使这个散发着盛唐气息的重大项目能够在社会上引起反响,发挥应有的社会效益。我当时没有答应这个邀请。但在随后的一次茶叙中,无意间听到一个宫 I once heard my friend say that modern people write costume plays and must avoid the ambitious theme. This “Daming Gong Fu” is aimed at the traditional love story. Of course, so think of writing “Daming Gong Fu” is entirely a passive. That year, comrades at the Daming Palace Site Conservation Area invited me to write an opera based on the Daming Palace in the Tang Dynasty. Many vocal experts and leaders have made this suggestion. In short, they want to attract tourists through a stage drama and focus on the Daming Palace The development of the project has enabled this major project exuding the spirit of the Tang Dynasty to generate repercussions in the society and bring its due social benefits into full play. I did not agree to this invitation at the time. However, in a subsequent tea break, inadvertently heard a palace