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生死欲念,不同程度的绝境遭遇带来不同层次的心灵创伤,探究心灵总有虚妄之嫌。所幸,普鲁斯特为我们指了明路:“真正的生活,最终得以揭露和重见天日的生活,因而是我们唯一确实经历的生活,就是文学。”文学作品“通过把作用于感官的形式(色彩、声音)和精神的内涵(思想理念)融为一体来实现把物质与精神结合在一起的可能性。”①“绝望”的审美探秘往往介于物质与精神生活,同时浮现在文学作品中。文本世界中的绝望因由探讨在本文中分为内在与外在两部分展开。
Life and death, different levels of encounter desperation to bring different levels of trauma, to explore the mind there is always false false suspicion. Fortunately, Proust has pointed us to Ming Lu: “The real life, and ultimately to reveal and re-see the light of day life, and therefore our only truly experienced life is literature.” “Literary works” by acting on the senses (Color, sound) and spiritual connotation (ideological concept) to realize the possibility of combining matter with spirit. “① The aesthetic exploration of” hopelessness "often falls between material and spiritual life, At the same time emerge in the literature. The discussion of the causes of desperation in the textual world is divided into two parts: internal and external.