书法批评是批评主体对于书法的线条、结构、章法、意象、形式、风格、价值(或意义),包括它们产生所需要的主体、环境、技法、材料等条件和因素,以及书法与个人、社会、文化、历史所形成的多重关系,通过观看、感受、参与等方式加以理解、判断、阐释和评价。其要素有四,即理解、判断、阐释和评价。当代书法批评范式可整列为审美批评、文化批评等,笔者提出了新审美批评和文化历史批评。书法批评的维度可以从技法、审美、文化和创新四个方面来确立。 Calligraphic criticism is the criticism of the subject for calligraphy lines, structures, rules, images, forms, styles, values ​​(or meaning), including the subject, environment, techniques, materials and other conditions and factors, and calligraphy and individuals, society , Culture, history, formed by the multiple relationships, through the viewing, feeling, participation, etc. to understand, judge, explain and evaluate. Its elements have four, that is, understanding, judging, interpretation and evaluation. Contemporary calligraphy criticism paradigm can be listed as aesthetic criticism, cultural criticism, etc., the author put forward the new aesthetic criticism and cultural and historical criticism. The dimension of calligraphic criticism can be established from four aspects: technique, aesthetics, culture and innovation.