状态放松,歌唱自然,是一种公认的良好歌唱状态。而在歌唱中相对于放松而言的紧张状态在各种声乐流派中给予必要的肯定就不多见了。正如物理学中所说的作功一样,歌唱过程也正是歌唱者的发声器官和其它生理器官包括心理情绪密切配合进行做功的过程,一味强调放松,这种歌唱中的“功”是做不出的。所以,在歌唱过程中,只强调放松,不仅在理论上认识片面,而且在艺术实践上也是不可能的。应该明确指出:放松不等于松懈,紧张也不等于僵硬。松与紧是一个事物的两个方面,是一对矛盾的统一体。在歌唱的过程中,没有绝对的松,也没有绝对紧,强调松是因为过于紧,强调紧是因为过于松,过度 Relaxing state, singing naturally, is a recognized state of good singing. It is not uncommon to find the necessary affirmations in various vocal schools in relation to the tension of relaxation in singing. Just as what is said in physics, the process of singing is exactly the process by which the singer’s vocal organs and other physiological organs work closely together with psychological emotions, emphasizing relaxation, and the “work” in such singing is Can not make it. Therefore, in the process of singing, only stress relaxation, not only in theory one-sided understanding, but also in the artistic practice is impossible. It should be made clear that relaxation does not mean relaxation, but tension does not mean rigidity. Loose and tight are two aspects of one thing and one contradictory unity. In the process of singing, there is no absolute loose, there is no absolute tight, stressed that loose because too tight, stressed that tight because too loose, excessive