清末同治、光绪朝以后到民国初期,山水画坛已经不再是“四王”主导一切的局面。“海派”早已取代了“四王”山水的统治地位,从而使山水画坛的格局以及风尚都发生了改变。同时,由于古物陈列所和故宫博物院的建立,吸引了大量画家向政治和文化中心北京集中,北京画坛俊彦云集,尽一时之盛。大多数书画家主要致力于对古代优秀传统的挖掘和继承,创立了质朴博大的画风, After the end of the Qing Dynasty Tongzhi, Guangxu Dynasty to the early Republic of China, landscape painting is no longer the “Four Kings” dominate all the situation. “Shanghai School” has long replaced the dominance of the “Four Kings” landscapes, thus changing the pattern and style of landscape painting. In the meantime, due to the establishment of the Antiquities Exhibition Hall and the National Palace Museum, a large number of painters have been attracted to the political and cultural center of Beijing. Most of the calligraphers devoted their efforts to the excavation and inheritance of the ancient fine traditions and created a rustic and broad painting style.