自然审美的性质究竟为何 ?美学史上最通常的解释是“人化说”。“移情说”与“实践说”为其两种主要形式。虽说这也是对一种常见的自然审美方式的有效说明 ,但严格说来却并未切中肯。因为这类审美的真正对象尚不是自然物本身 ,而是对象化了的人自己。本文认为真正意认上的自然审美应当回到物“自身”。这方面的经验表明 ,其中所发生的是一种现象学的“悬置” :不仅要悬置观念的、实践的兴趣 ,而且也要避免主观性的“移情”或“比德”。只有种悬置才能使物返回到“自身”。所谓“自然美” ,其实就是从这种人和物同时各向其“自身返回时所形成的那种关系中绽放出来的。 What is the nature of natural aesthetics? The most common explanation in the history of aesthetics is “humanization.” “Empathy Theory” and “Practice Theory” are its two main forms. Although this is also an effective explanation of a common natural aesthetic, it is not strictly true. For the true object of such aesthetic is not yet the natural object itself, but the objectized person himself. This paper argues that the true aesthetic appreciation of natural beauty should be returned to the “self”. Experience in this area shows that what is happening here is a phenomenological “suspension”: it not only suspends conceptual and practical interests, but also avoids the subjective “empathy” or “pique.” Only the kind of suspension can return the thing to “itself.” The so-called “natural beauty” actually starts with the kind of relationship that these people and things simultaneously form to each other when they “return by themselves.”