说到法国作家与中国的渊源,圣-琼·佩斯、克洛代尔、马尔罗甚或汉学家艾田蒲容易被人想起,谢阁兰、皮埃尔·绿蒂等似乎“次一级”的法国学者文人就不那么有可提之处了。别人不说,马尔罗凭《人的境遇》赢得龚古尔奖,一跃成为法兰西一流作家,可他实际上根本没到过上海。绿蒂倒是真的来过中国,也参与过“武装”斗争,不过他的《在北京最后的日子》只是一组纪实,评文学奖是不可能了。 When it comes to the origins of French writers and China, Saint-Joan Pace, Cloydale, Malo or sinologist Ai Tianpu are easily reminded of the seemingly “subordinate” France, such as Segerang and Pierre Luther Scholar scholars are not so worth mentioning. Others do not say that Malo won the Goncourt Prize on the basis of “the human situation” and became a first-rate French writer, but he had never actually been to Shanghai. Lvdi actually came to China and participated in the “armed” struggle. However, his “last days in Beijing” is only a documentary and a commentary on literary awards is impossible.