怎么想起写这样一部“反腐戏”来的呢?也有一定的偶然性。今年春暖花开的季节,一位市纪委的宣传部长在闲谈时,对我说:“您能不能写个反腐的戏?现在的形势很需要。”我认真考虑着,但没有吭声。她又说:“您就写当年刘青山和张子善的事件,行不行?”我停了一下才回答:“让我好好想一想。”当时我想的是还要不要再写主旋律作品,尽管我过去写过不止一部。老实说,多年以来主旋律作品已经“主”不起来了,既没有 How do you think of writing such a “anti-corruption opera”? There is also some chance. During the spring season of this year, a propaganda minister of a Municipal Commission for Discipline Inspection told me during his chatting: “Can you write a drama about anti-corruption? The current situation is very much needed.” I seriously considered but did not say anything. She added: “You write the case of Liu Aoyama and Zhang Zishan, OK?” I paused for a reply: “I think about it.” The main theme, though I wrote more than one. Honestly, over the years the main theme has been “Lord” is not up, neither