黄世芳是刚步入而立之年的装雕女艺术家,她选择了男性也有些生畏的金属工艺专业。大部分时间与制作室火焰、鎯头、铜版相依渡过。她用艰辛的工作与创作构思着自己的梦。她将自己对民俗传说与现代文化的理解变成一幅幅生动的铜板浮雕。在创作与敲打中充实自己的人生。 她认为民俗传统是中华民族艺术的根,有着广泛的民族代表性,有着丰富的营养与旺盛的生命力。因此她选择了民俗传说为作品的表现主题,以寻求传统与现代文化的结点,在继承中求得发展与成熟。她的多幅作品被选入《90年代中国美术作品集》,并为一些高级宾馆、酒店进行了大型铜浮雕壁画的设计制作受到各方的好评。 她对艺术有着难以尽言的爱。她讲“艺术是有生命的文化形式,看看自己所创作的作品,如同创造了一个生命,辛劳与痛苦则成为一种甘甜,心灵就得到了一次净化,精神就得到一种解脱与升华,这就是艺术”。 Huang Shi-fang was the first female artist to embark on the occasion of the founding of the New Year. She chose men who were also somewhat daunting in the metalworking profession. Most of the time with the studio flame, head, copper plate dependent to spend. She conceived her dreams with hard work and creativity. She translated her own understanding of folklore and modern culture into vivid copper reliefs. In the creation and beat to enrich their own lives. She believes that folk custom is the root of Chinese art, has a wide range of ethnic representation, has a wealth of nutrition and strong vitality. Therefore, she chose the theme of folklore as the theme of her works in order to seek the knot of traditional and modern culture and seek development and maturity in succession. Many of her works have been selected into the “Collection of Chinese Art of the 90s”, and the designs of large-scale copper relief murals for some high-class hotels and hotels have been well received by all parties. She has an indelible love for art. She said that “art is a living cultural form. When we look at the works we create, as creating a life, hard work and suffering become a sweetness, the mind is purified once and the spirit is given a relief and sublimation. This is art. ”