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名家评语：王阔海的新汉画戏剧人物,是用自己独创的新汉画语言符号来完成的,这就超越了他的新汉画初创时期对古汉画形式转换的意义。在这些作品中,我们可以感受到文人画笔墨和没骨画法酣畅淋漓地交融与幻化,东西方色彩巧妙地运用与综合。我们还可以感受到作品内质的隽永与典雅,浪漫的铺陈与夸张。这是阔海大气、文气、灵气和睿智与胆识的集中体现,也是他对新汉画表现内容的扩展和整个体系的形成与完善。艺术的突破首先是语言形式的突破,一旦有了这种新的语言形式,艺术家就可以自由地独自万物,它可以状物河山,也可以言说六合,可以演义美丑,亦可以粉墨千秋。由此我们可以说：王阔海的新汉画戏剧人物在形式感和形象感的双重追求中,有了更纯化了的人文内涵,形式的新与美也可以将惯常的表现内容提高到更高的审美层面。
Comments by famous writers: Wang Kuo - hai ’s new Han painter’ s dramatis personae is accomplished by his own unique symbol of the new Han dynasty language, which goes beyond the significance of the transformation of the form of the ancient Han painting during his initial period of the New Han Dynasty. In these works, we can feel that the literati’s brushwork and the boneless painting are merry and melodious, and the color of East and West are ingeniously applied and synthesized. We can also feel the timeless and elegant works of the inner quality, romantic presentation and exaggeration. This is a concentrated manifestation of the vast sea of atmosphere, style, aura and wisdom and courage, as well as his expansion of the content of the new Han painting and the formation and improvement of the whole system. The first breakthrough in art is the breakthrough in the form of language. Once this new form of language is available, the artist can freely and exclusively use all things. It can be described as “rivers and lakes”, “Liuhe” and “romance”. From this, we can say that Wang Hok-hai’s new Han Dynasty dramatisl characters have a more purified humanistic connotation in the dual pursuit of formality and imagery, and the newness and beauty of form can also raise the usual content of expression to a higher level Aesthetic level.