论文部分内容阅读
发挥艺术个性美,不仅对于剧种来说,是它在五光十色的艺术之林中存在和发展的前提,对于演员来说,同样是焕发他表演艺术生命力的强大动力。可以说,整个戏曲艺术正是沿着这个无限生动活泼的客观艺术规律,不断丰富发展着的。历史正是这样告诉我们:二百多年前,秦腔艺人魏长生入京献艺,一反雅部昆腔的曲高寡和、阳春白雪,而以化妆造型上创造性的“梳水头”、踩硬跷和富于生活气息与高度技巧的表演,别开生面,在北京刮起了一阵“魏旋风”,使六大班社尽为失色。过了一百多年,京剧表演艺术革新家王瑶卿率先打破了京剧青
To play the artistic personality is not only a prerequisite for its existence and development in the colorful forest of arts, but also a powerful motivation for the performers to show off the vitality of his performing arts. It can be said that the entire opera art is continuously enriched and developed along this infinitely lively and objective law of art. History tells us exactly this: more than two hundred years ago, the artist of the Qin Dynasty, Wei Changsheng, came to Beijing to perform arts and crafts, In the breath of life and highly skilled performance, special surprise, in Beijing, whipped up a “Wei Xuan Feng,” so that the six classes to make up for the loss. After more than one hundred years, opera artist Wang Yaoqing took the lead in breaking Beijing Opera Youth