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在《三国演义》中,罗贯中通过多种艺术手法,使书中人物脱离了他们原有的历史面貌并深入人心。由于罗贯中强烈的“拥刘反曹”倾向,作为贤明仁德君主刘备对立面的曹丕自然是被改造者之一。经过对比、无中生有、片面夸大手法的巧妙运用,文学上成就突出、政治上兢兢业业且举措尚称仁慈的曹丕形象渐渐淡出人们的视线,取而代之的是一个军政上毫无作为且心胸狭隘、刚愎自用的昏庸君主形象。
In “The Romance of the Three Kingdoms,” Luo Guanzhong adopted various artistic techniques to deviate the characters from their original historical features and penetrate the hearts of the people. Due to Luo Guanzhong’s strong “pro-Liu anti-Cao” tendency, Cao Pi, one of the protagonists of the virtuous-benevolent monarch Liu Bei, was naturally transformed. After contrast, out of nothing, one-sided exaggeration techniques clever use of outstanding achievements in literature, political conscientious and initiatives still known as benevolent image of Cao Pi gradually fade from people’s eyes, replaced by a military and political nothing and narrow-minded, foolhardy Monarch image.