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王世襄自称写字没有启功好,但解书法事,若假以时日,十年临帖,十年学碑,字当可观。有以沈兼士及沈尹默字求蒋维崧品评。蒋言:“沈兼士格调高,沈尹老写得好”。示及高下,敲鼓聆音,自解其意。潘天寿、傅抱石、钱松嵒喜用豆浆拖过的宣纸作画,以此种宣纸作画,时间一久,画面辄容易泛小黄点。然书画家爱之,取其好用。张正宇其人今书坛已少人所知,然其艺20世纪中期则备受美术界人士推重,唐云、黄苗子、许麟庐、李骆公、廖冰兄等言及皆表敬佩,盖其书想象力、气魄、创造力、才情、活力
Wang Shixiang self-proclaimed writing is not Kai-hsiang good, but solution to calligraphy and law, if leave time, ten years of posts, ten years study monument, the word is considerable. There are both Shen Shen and Shen Yin silent word for Jiang Weisong comment. Jiang Yan: “Shen and gentleman style, Shen Yin old write well.” Show and compete, knock drums, listen to their own interpretation. Pan Tianshou, Fu Bushi, Qian Song Yan Xuan with soy milk over the drafting of rice paper to paint this kind of, over time, easy to panny yellow dots. However, the love of calligraphy and painting, whichever easy to use. Zhang Zhengyu, whose book has been known to a small number of people in the book industry, was well respected by the fine arts people in the middle of the 20th century. Tang Yun, Huang Miaozi, Xu Linlu, Li Luo Gong, Imagination, style, creativity, talent, vitality