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傅抱石是中国20世纪最为杰出的美术家之一,他的画中的写生题材则是现劳动人民和建国后中国的发展盛况,他独特的艺术视角,不同于其他山水画家的艺术表达和非同寻常的点睛释怀,都给后人留下了深厚的艺术思考。“点睛”毫无疑问它是山水画的提神和精华。一副山水画中点睛之重要,如同人的眼睛,俗话说,又称视角的中心点和视角的最后落脚点。所以本文意图研究傅抱石山水画中写生题材(关乎人民劳动和社会建设)的点睛之思考,通过提炼作品分析和最后总结,达到了解和领悟傅抱石点睛艺术中不同视角点和独特思想的表达。
Fu Baoshi is one of the most outstanding artists in China in the 20th century. His themes of sketching in his paintings are the current working people and the grand development of China after the founding of New China. His unique artistic perspective is different from the artistic expressions of other landscape painters With unusual eye candy, give the descendants have left a deep artistic thinking. “Dot Eye” There is no doubt it is the refreshing and essence of landscape painting. A landscape painting in the important point, as people’s eyes, as the saying goes, also known as the perspective of the center and the final point of view. Therefore, this article intends to study the finishing touch of Fu Baoshi’s landscape painting (relating to people’s labor and social construction), and through the analysis and final conclusion of the refined works, the author understands and comprehends the different perspectives and unique thoughts expressed in the art of Fu Baoshi’s finishing touches.