“在中国,作为一个艺术家,我希望描述其在心理上、情感上,以及动物性上的各种面貌。”——苍鑫从文字记载和传闻轶事中去看苍鑫作品引起的反响,可能会觉得他的作品无论在表现形式上还是传播方式上都有些怪异。坦率地说,对这些作品的理解和对其产生背景的思考太过于简单化了,过度注重于早期作品或新近作品的某种图像,而没有把这些早期作品与其新近的作品相互比对。除了关注那些华丽乏味的评论之外,似乎难以有深度地刻画苍鑫广阔的职业生涯,以反映其 “In China, as an artist, I want to describe all aspects of her psychologically, emotionally, and animally.” - Cang Xin was caused by Cang Xin’s writings and rumored anecdotes Response, may feel his work both in terms of form and mode of transmission are somewhat weird. Frankly speaking, the understanding of these works and the background to their origins are too simplistic, overly focusing on some kind of images of early works or recent works, without comparing these early works with their recent works. In addition to focusing on gorgeous and tedious comments, it seems difficult to have a deep picture of Cang Xin’s vast career to reflect its