在《江城夏日》中,带着第六代导演主流体系一贯的一种神秘而奇怪的东西,这就是一种悲天悯人的情怀。作者显然站在高人一等的角度,去洞观三陪女,去洞观寻找儿子的父亲。因为悲天悯人,所以影片中的人物,都没有多少欢乐,一个个挂着一副深沉、沉重与沉默的脸,完全是天降大任于斯的 In the “Summer of Jiangcheng”, with a mysterious and weird thing that has always been the mainstream system of the sixth generation directors, this is a compassionate feeling. Obviously, the author stands on a first-class perspective and goes to the perspective of escorting women and looking for their son’s father. Because of their compassion, so the characters in the film, not much joy, one by one with a deep, heavy and silent face, is completely fall in power