一种舞蹈在生成之后能否发散甚至兼融,能否拓展自己的疆域并使自己长存,取决于它是否具有功能与观念上的合理性和包容性,取决于随着功能与观念变化而产生的审美变化。本文以佛舞文化圈中的藏传佛教舞蹈为个案,对上述观点进行了分析与阐释。 Whether a dance can diverge or even blend after it is born, whether it can expand its own territory and make itself viable depends on whether it is functionally and rationally reasonable and inclusive, depending on the changes in function and concept The resulting aesthetic changes. This article takes the Tibetan Buddhist dance in the Buddhist and dance culture circle as an example, and analyzes and expounds these views.