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所谓影像意识形态的概念,或许不见于已有的电影著论之中,其内涵却不是一个新课题。它可以“影像——意识形态”表述,也可以“意识形态——影像”理解。前者指如何从影像中分析出影片(场面、镜头、画面)中隐秘的意识形态含义,后者则指怎样把意识形态的意图隐藏在影像中,通过影像的营造将其传达出来。前者从电影批评的角度出发,后者着限于影片的制作生产,虽有视点的不同,却都说了一个相同的问题:即电影的影像同电影的意识形态之间的关系。它同一般的以技巧手段传情达意不同,其“传”与“达”的专指意识形态之意。因此,它高出具体的技巧层次,成为影片的意识形态
The so-called concept of image ideology may not be seen in the existing film theory, its content is not a new topic. It can be “image-ideology” or “ideology-image”. The former refers to how to analyze the hidden ideological meanings of the film (scenes, shots, pictures) from the images, and the latter refers to how to conceal the ideological intention in the images and convey it through the creation of images. The former from the film criticism point of view, the latter is limited to the film production, though different point of view, but all said the same question: the movie’s image and the relationship between the film’s ideology. It is different from the usual tactical means of expressing affection and meaning. Its “transmission” and “reaching” specifically refer to the ideology. Therefore, it is higher than the specific level of skill, as the film’s ideology