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中国传统绘画在两千年的发展衍变过程中已经自成体系,有着自身的发展轨迹。但自从鸦片战争西方列强强行打开清政府的国门后,亡国灭种的危机感使国人感到寻求变革的时候到了。在这短短的不到一百年的实践中,中国知识分子对西方文化的态度从不得不接受到主动学习西方,最终想要全盘模仿西方甚至开始膜拜西方。本文试图梳理这一时期艺术改革的几种方案,并揭示出艺术发展与社会现实的紧密联系。
Chinese traditional painting has become its own system and has its own development track in the evolution of two thousand years of development. However, since the Western powers during the Opium War forcibly opened the Qing government’s homeland, the crisis of severing the nation and threatening to make people feel that they are seeking change is coming. In this short period of less than one hundred years of practice, the Chinese intellectuals’ attitude towards the Western culture has to accept the initiative to learn from the West and eventually want to completely imitate the West and even worship the West. This article attempts to sort out several proposals for the reform of the arts during this period and reveals the close connection between the development of the arts and the social reality.