19世纪末,在作为欧洲文化活动中心的法国巴黎出现了一种新的绘画艺术风格——印象主义。印象派的画家们,通过对光与色变幻的探寻去捕捉一个个飞逝的瞬间印象,而对于受光物体的描绘却变得越发淡化了。这种全新理念的绘画艺术风格,亦悄然地影响着音乐艺术的发展。在以印象派音乐创始人、法国作曲家德彪西为代表的音乐家的作品中,大量的变化音、不协和音程、九和弦、十三和弦、含附加音的和弦及增、减和 In the late 19th century, a new style of painting art-impressionism emerged in Paris, France as the center of European cultural activities. Impressionist painters, through the search for light and color changes to capture the impression of a fleeting moment, and the description of the light-receiving objects has become more desalination. This new concept of painting art style, but also quietly affect the development of music art. In the works of musicians represented by Debussy, founder of the Impressionist music and the French composer, a large number of variations, incoordination, nine-chord, thirteen chords, chords with additional notes and additions and subtractions