在上世纪中期的美国,如果要找一台相机,拍得了人像,又上得了战场,定非格拉菲莫属。它被誉为当时美国报刊摄影记者的首选。许多美国电影只要涉及到那个年代的新闻事件,一定会有这样一个画面:许多端着正方形相机的记者涌过来,每台相机都附带一个大大的手柄型闪光灯。格拉菲常被拿来与德国设计师设计的林哈夫相机相提并论。这两种折叠相机都结合了早期相机的许多优良特征,于1910年相继面市。到20世纪40年代左右达到巅 In the mid-century America, if you were looking for a camera, portraits of people and war on the battlefield, you would not belong to Graffiti. It was hailed as the first choice of the American newspaper photographers at the time. As many American films involve news events of that era, there is bound to be a scene where many journalists with square-shaped cameras come in and each camera comes with a large, handle-type flash. Grafi is often compared to a Linhoff camera designed by a German designer. Both of these folding cameras combine many of the best features of earlier cameras and were introduced in 1910. By the 1940s reached its peak