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金圣叹与李渔的戏曲理论,表现出了戏曲的舞台欣赏与文本阅读的差异性特征。基于此,主要从理论倡导与创作实践这两个维度来考察二人的戏曲鉴赏与创作的理论,从而进一步探寻二者的理论本身所表现出的美学特点与价值特色。
The theory of opera by Jin Shengtan and Li Yu shows the difference characteristics of drama stage appreciation and text reading. Based on this, we mainly study the theory of drama appreciation and creation of two people from two aspects: theoretical advocacy and creative practice, so as to further explore the aesthetic features and value characteristics of the two theories.