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在中国古典山水画中,画面的构成元素有两种,一种是自然景物,如山、水、云、草木;另一种是人物,如渔父、樵夫、隐士、居民。还有一种是表现与人生活有关的描绘,如车船、亭台、市井。中国山水画中阐释了他们的关系,就是人与自然和谐共处,以自然为师,向自然学习的精神内涵,我们栖居在大自然中,人与自然的相处应该在生命的繁衍上统一而存在,和谐、平等、共存,这样才能达到天人合一的境界。一、中国山水画中的人在山水画的发展历程来看,点景人物在中国山水画中占据重要的位置,起着重要的点缀作用,他们有樵夫、隐士、市民,无时不刻表现出对大自然的亲近
In Chinese classical landscape paintings, there are two kinds of compositional elements of the picture: one is a natural scene, such as mountain, water, cloud and vegetation; the other is a figure, such as a fisherman, a lumberjack, a hermit, and a resident. There is also a manifestation of life and people related to the portrayal, such as vehicles, pavilions, marketplace. Chinese landscape painting illustrates their relationship, is the harmonious coexistence of man and nature, with nature as a teacher, to learn from the spiritual content, we are living in nature, man and nature get along with the proliferation of life should be unified and exist Harmony, equality and coexistence so as to achieve the goal of harmony between man and nature. First, people in Chinese landscape painting In the history of the development of landscape painting point of view, point landscapes in Chinese landscape painting occupies an important position, plays an important decorative role, they have woodcutters, hermits, citizens, always showing the right Close to nature