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清代黄山画派名家戴本孝曾提出山水画要以“天地为真本”1。探索此说之源,实与五代荆浩《笔法记》中的“搜妙创真”2,在艺术理论方面有着相当紧密的联系。本文希冀通过查阅资料和分析作品,对以自然为“真本”的写生技法进行初步探索,阐述山水画中面对自然本体的写生对当今中国山水画创作与研究之意义,同时正确认识与理解“真本”的精髓,创作出经典的山水画作品。
In the Qing Dynasty Huangshan painting masters Dai Benxiao proposed landscape painting should be “heaven and earth as the real ” 1. Explore the source of this story, in fact, with the “Five Dynasties” in Jing Hao’s “Writing Notes” in the Five Dynasties. 2. There is a fairly close connection between artistic theories. In this paper, I hope to explore the sketching techniques of nature as “true” by referring to the data and analyzing the works. I will elaborate the significance of the sketching of natural noumenon on the creation and research of contemporary landscape painting in China while understanding and understanding correctly “Essence” of the essence, creating a classic landscape paintings.