黄世仲结合其丰富的创作实践，以改造国民性、开启民智、反思中国传统文化、揭露国民性弱点及其根源为其小说理论的出发点，立足于中国传统小说美学，又吸收了西方的某些灵思美感，在近代小说理论批评史上有其独到之处。 Huang Shizhong combined with his rich creative practice to reform the national character, to open the wisdom of the nation, to reflect on the Chinese traditional culture, to expose the national weakness and its origins as the starting point of his novel theory. Based on the aesthetics of Chinese traditional novels, Huang Shizhong absorbed some spirits of the West Aesthetic sense of beauty has its own uniqueness in the history of modern theoretical criticism of novels.